Gentium

One of the interesting cultural problems of the Internet is that most fonts aren’t created to display more than one or two languages. If you visit foreign-language sites, you’ll notice that you’re always having to download “language packs” so that your browser can display the words correctly, with all the characters unique to the country’s language.

Victor Gaultney, a font designer, decided to tackle this problem by creating the Gentium typeface. His mission, as he describes it, is:

Gentium is a Unicode typeface that contains Roman, Greek and Cyrillic characters, including many characters seldom seen in even the most ambitious typefaces. Far from being a luxury, these characters are needed to write many of the over 6,000 languages thought to exist in the world.

He’s not quite there yet; Gentium only covers the Roman, Greek and Cyrillic scripts, which are historically pretty closely linked and thus typologically similar. It’ll be a while before he starts including the script for minor dialects spoken primarily in Ulan Bator. But nonetheless, the project is fascinating because it highlights an interesting point: That fonts are political, or at very least, have political implications. There’s a great interview with Gaultney on his site, in which he talks about how a font can affect global discourse:

Gentium has managed to break down some of the barriers between people. There used to be a wide gulf between the greater publishing, academic and multilingual communities. Publishers would hesitate to do work in unusual languages because the available fonts were so poor. Academics had to do their own thing because the industry did not support their needs. Multilingual publishing has often been a constant struggle with incompatible solutions of varying quality. Now everyone can use the same font — and get excellent quality, readable, attractive text.

What’s particularly cool is that he’s made Gentium free for download; you can get a copy of it here.

(Thanks to Snarkmarket for this one!)


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I'm Clive Thompson, a writer on science, technology, and culture. This blog collects bits of offbeat research I'm running into, and musings thereon.

Currently, I'm a contributing writer for the New York Times Magazine and a columnist for Wired magazine. I also write for Fast Company and Wired magazine's web site, among other places. Email or AOL IM me (pomeranian99) to say hi or send in something strange!

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September 26, 2008 » 01:57 PM

From an interview with ethnobotanist and anthropologist Wade Davis:

One of the cultures you celebrate in Light at the Edge of the World is the Inuit. What do you most admire about them?

Davis: The Inuit didn’t fear the cold; they took advantage of it. During the 1950s the Canadian government forced the Inuit into settlements. A family from Arctic Bay told me this fantastic story of their grandfather who refused to go. The family, fearful for his life, took away all of his tools and all of his implements, thinking that would force him into the settlement. But instead, he just slipped out of an igloo on a cold Arctic night, pulled down his caribou and sealskin trousers, and defecated into his hand. As the feces began to freeze, he shaped it into the form of an implement. And when the blade started to take shape, he put a spray of saliva along the leading edge to sharpen it. That’s when what they call the “shit knife” took form. He used it to butcher a dog. Skinned the dog with it. Improvised a sled with the dog’s rib cage, and then, using the skin, he harnessed up an adjacent living dog. He put the shit knife in his belt and disappeared into the night.

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