Margaret Atwood’s telepresence book-signing robot

Wow: Margaret Atwood has become the first author to sign books in remote locations — via a telepresence robot! Last fall, she hooked up with a Toronto company called Unotchit (which sounds roughly like “you no touch it”) that developed a device that works like this: Unotchit sets up its robot in a remote bookstore. Atwood logs in from home, and using a webcam, talks to people who are attending the far-off book-signing. She chats with ‘em, asks what they want inscribed on their book, and they lay it in front of the Unotchit robot. Atwood writes on a screen, and the robot replicates her pen-strokes precisely, in real-time, on the book.

The idea apparently came to her when she was totally exhausted from touring, and wondered, man, there’s gotta be a better way to do this. As the Toronto Star reports:

“The reactions have been: That’s great. She’s mad. It’s a joke. She’s ruining (book tour) signatures. I can hardly wait to have one,” she said in an interview over coffee at a downtown Toronto restaurant.

There are so many excellent layers here. First of all, this confirms my growing sense that Atwood is among the biggest secret geeks on the planet. After all, she’s basically a sci-fi author masquerading as a writer of “serious” adult nonfiction. Her “what if” novels are so superb — and so manifestly superior to her other books — that I sometimes wish she’d just give up writing about the usual maundering-around-the-kitchen-
moaning-about-your-children/divorce/boring-ass-upper-middle-class-life crap that comprises 99% of all of today’s dinosaur literary fiction, and just throw it down old-skool in sci-fi and fantasy, and crank out a bunch of 4,000-page novels with, y’know, dragons and instellar spacecraft and shit on the covers. I would so pay for that.

Secondarily, the book-signing robot neatly — and possibly even intentionally — parodies the fact that the vast majority of authors are so thoroughly wretched at book-readings, and so achingly wooden in their delivery, that they might as well send robots in their stead. (Atwood’s pretty funny in real life, though, I must admit.)

Either way, when the Atwoodbot comes to New York, I am absolutely showing up to get a book signed!

(Thanks to my sister Christine for this one!)


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I'm Clive Thompson, a writer on science, technology, and culture. This blog collects bits of offbeat research I'm running into, and musings thereon.

Currently, I'm a contributing writer for the New York Times Magazine and a columnist for Wired magazine. I also write for Fast Company and Wired magazine's web site, among other places. Email or AOL IM me (pomeranian99) to say hi or send in something strange!

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September 26, 2008 » 01:57 PM

From an interview with ethnobotanist and anthropologist Wade Davis:

One of the cultures you celebrate in Light at the Edge of the World is the Inuit. What do you most admire about them?

Davis: The Inuit didn’t fear the cold; they took advantage of it. During the 1950s the Canadian government forced the Inuit into settlements. A family from Arctic Bay told me this fantastic story of their grandfather who refused to go. The family, fearful for his life, took away all of his tools and all of his implements, thinking that would force him into the settlement. But instead, he just slipped out of an igloo on a cold Arctic night, pulled down his caribou and sealskin trousers, and defecated into his hand. As the feces began to freeze, he shaped it into the form of an implement. And when the blade started to take shape, he put a spray of saliva along the leading edge to sharpen it. That’s when what they call the “shit knife” took form. He used it to butcher a dog. Skinned the dog with it. Improvised a sled with the dog’s rib cage, and then, using the skin, he harnessed up an adjacent living dog. He put the shit knife in his belt and disappeared into the night.

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