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Virtual Kandinsky

Kandinsky’s art has never really been my cup of tea. I dig abstract art, but I need a little more prettiness in my abstractness. Kandinsky was more into the sort of deeply angular weirdness that inspired many devoted postmodern followers, and probably a few Yes album covers. (Interestingly, Kandinsky was something of a synesthesiac, and claimed that he saw color when he listened to music.)

Anyway, Robert Peake is both a very cool programmer and a fan of Kandinsky, so he created a virtual-artist artificial-intelligence program that produces Kandinsky-like drawings — including the one above! Just pump in a few variables — how many shapes you want, the size and width of the picture — and it’ll kick out insto-art. His FAQ is a blast to read, and includes this Q&A:

C’mon, isn’t this really just a bunch of random shapes?

Well, yes and no. I have already begun to make aesthetic decisions, like assigning a color palette to the shading and constraining how far the shapes can be flung. Also, the “randomSymphonic” class does something very common in Kandinsky’s work - arranges either 3, 5 or 7 shapes in a vertical pattern. Usually, these look like brush strokes. It’s a start.

So, already the beginnings of human aesthetics are poking their way in to the picture. I’ll need to bear these in mind as a baseline when I start applying more advanced principles. The ultimate goal of this project is to apply and then test (via human feedback) a wide variety of aesthetic principles. Because it is web-native, the potential for getting a large sample size for human data on what “is and is not art” as well as mapping this data to precise heuristics makes this project interesting.

(Thanks to Slashdot for this one!)


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I'm Clive Thompson, a writer on science, technology, and culture. This blog collects bits of offbeat research I'm running into, and musings thereon.

Currently, I'm a contributing writer for the New York Times Magazine and a columnist for Wired magazine. I also write for Fast Company and Wired magazine's web site, among other places. Email or AOL IM me (pomeranian99) to say hi or send in something strange!

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Recent Entries

The “Milky Way Transit Authority” map

Should automobile software be open-sourced?

My Bookforum review of Jaron Lanier’s “You Are Not A Gadget”

Molecular secrets of the “iron-plated snail”

Garry Kasparov, cyborg

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a bunch of stuff

January 31, 2010 » 07:29 PM
V. A. To me death seems to be an evil.
M. What, to those who are al­ready dead? or to those who must die?
A. To both.
M. It is a mis­ery, then, be­cause an evil?
A. Cer­tain­ly.
M. Then those who have al­ready died, and those who have still got to die, are both mis­er­able?
A. So it ap­pears to me.
M. Then all are mis­er­able?
A. Ev­ery one.

January 24, 2010 » 03:22 PM

One of the more interesting trends is family, which came in at number five. Specifically, discussion about family, moms, dads, daughters, etc. jumped during 2009. With Facebook users getting older, this isn’t a big surprise. However, the fact that the mention of “kids” jumped by a factor of five this year is rather dramatic. It’s tough to know what this means, though. (via Facebook Unveils Most-Mentioned Topics of 2009

)

January 15, 2010 » 01:36 PM

BEYOND AWESOME. They are announcing a recall of the Plush Uterus “due to a potential choking hazard for children”. To apply for it, “Please send an email to the address below with the subject line, ‘UTERUS OPT OUT’”.

January 14, 2010 » 10:04 PM

“To order, please TYPE “YES” IN CHECKBOX BELOW TO AGREE YOU UNDERSTAND THIS PLUSH MUST BE KEPT AWAY FROM KIDS (it is a sex organ, after all). If it is not checked, WE WILL NOT SEND THE UTERUS.” (via @ibogost)

January 11, 2010 » 01:45 PM

I watched Space: 1999 back in the day, but I swear to god I do not remember this scene.

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Collision Detection: A Blog by Clive Thompson