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Them’s good eatin’

With all the talk of “intelligent agents”, mail “daemons”, software setup “wizards” and the like, the high-tech age is riddled with the language of magic. It’s no wonder that so many computer programmers spring from the same communities obsessed with Dungeons and Dragons or The Lord of the Rings, because software is, in essence, precisely like magic: Words that “do” things. Nor is this merely part of coder-geek life. Today’s average computer user spends an inordinate amount of time memorizing and reciting passwords — their own little magical “Open Sesame” phrases that unlock the eldritch realms of email, newspaper sites, and Ebay accounts. And when you accidentally forget a password, you can wind up feeling rather like Gandalf before the locked Doors of Durin, unable to remember which incantation opens them. In a world of software, we live surrounded by weird and invisible forces.
Now some Japanese artists have produced “Kobitos” — a hilarious little project that touches on precisely this dynamic. They wired up a kitchen table so that a tea caddy can be dragged around by an unseen magnet beneath the wood. Then they wrote software in which little gnomes — Kobitos — “push” the caddy around. The only way to see the gnomes is to look through a nearby LCD screen that shows a video of the table with the Kobitos digitally superimposed.
There’s a video here showing people playing with the system. It’s quite trippy: When you look at the table, you see the tea caddy scooting mysteriously across the surface; then when you look in the screen you can see that the Kobitos are pushing it. The system’s haptics work both ways, too: When the user pushes back on the caddy, it bonks the Kobitos out of the way like little tenpins. As the artists write:
Kobitos can be good playmates, because they are invisible sometimes and visible at other times. When they are invisible, and they move something in the real world, they generate a sense of wonder. Interaction with such a creature could be a new type of entertainment.
(Thanks to Cook Design for this one!)
I'm Clive Thompson, a writer on science, technology, and culture. This blog collects bits of offbeat research I'm running into, and musings thereon.
Currently, I'm a contributing writer for the New York Times Magazine and a columnist for Wired magazine. I also write for Fast Company and Wired magazine's web site, among other places. Email or AOL IM me (pomeranian99) to say hi or send in something strange!
The “Milky Way Transit Authority” map
Should automobile software be open-sourced?
My Bookforum review of Jaron Lanier’s “You Are Not A Gadget”
Molecular secrets of the “iron-plated snail”
» visit the Collision Detection archives
January 31, 2010 » 07:29 PM
V. A. To me death seems to be an evil.
M. What, to those who are already dead? or to those who must die?
A. To both.
M. It is a misery, then, because an evil?
A. Certainly.
M. Then those who have already died, and those who have still got to die, are both miserable?
A. So it appears to me.
M. Then all are miserable?
A. Every one.
January 24, 2010 » 03:22 PM
One of the more interesting trends is family, which came in at number five. Specifically, discussion about family, moms, dads, daughters, etc. jumped during 2009. With Facebook users getting older, this isn’t a big surprise. However, the fact that the mention of “kids” jumped by a factor of five this year is rather dramatic. It’s tough to know what this means, though. (via Facebook Unveils Most-Mentioned Topics of 2009
)
January 15, 2010 » 01:36 PM
BEYOND AWESOME. They are announcing a recall of the Plush Uterus “due to a potential choking hazard for children”. To apply for it, “Please send an email to the address below with the subject line, ‘UTERUS OPT OUT’”.
January 14, 2010 » 10:04 PM
“To order, please TYPE “YES” IN CHECKBOX BELOW TO AGREE YOU UNDERSTAND THIS PLUSH MUST BE KEPT AWAY FROM KIDS (it is a sex organ, after all). If it is not checked, WE WILL NOT SEND THE UTERUS.” (via @ibogost)
January 11, 2010 » 01:45 PM
I watched Space: 1999 back in the day, but I swear to god I do not remember this scene.
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