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Man delivers marriage proposal as 113-page publish-on-demand book

MillionArtists is fundraising project with an interesting way of gathering donations: Everyone who gives money can choose the color and placement of single pixel on a massive online canvas. In theory, as thousands or millions of people donate, it’ll take shape as a picture.
But a picture of what? Heh — interesting question. A story in the Globe and Mail points out that at the moment, there are only 88 donations, so the pixels are so insignificant on the sprawling digital canvas that they “could easily be mistaken for dirt on the screen.” (That’s a possibly lovely, if dispiriting, metaphor for the philanthropy’s always-heroic but never-enough attempt to solve the world’s problems.) You can check the painting out in real-time here; a snapshot of the current pic, shrunk down to 1/10th size, is above. The guys running the project describe the aesthetic of the project thusly:
I see the point regarding the “meaningful and pleasant look” and have to agree that our picture may become just “white noise” … On other hand I’d compare this “random pixel location” method to Jackson Pollock’s method of “dripping paint from cans with holes in the bottom”, but I must agree that mine is ever more extreme: when Pollock used his own senses to make what he believed reflects his art vision, I’m going to use sense of color of a million different people. Will I get the “meaningful and pleasant look” at the end? I do not know. Will it show the feelings of the million people? I believe it will.
A while back, I wrote a piece for Slate about whether “collaborative art” was possible — hundreds or thousands of people working, hivelike, on a single project, each unaware of the intentions or desires of the others. I think it is indeed possible that a hive can produce art, but it all depends on the framing device. The device here is so open-ended that it’s likely to produce an entropic beige sludge. But hey — it’ll be an entropic beige sludge that has raised a bunch of money for charity!
(Thanks to Jonathan Kotcheff for this one!)
I'm Clive Thompson, a writer on science, technology, and culture. This blog collects bits of offbeat research I'm running into, and musings thereon.
Currently, I'm a contributing writer for the New York Times Magazine and a columnist for Wired magazine. I also write for Fast Company and Wired magazine's web site, among other places. Email or AOL IM me (pomeranian99) to say hi or send in something strange!
The “Milky Way Transit Authority” map
Should automobile software be open-sourced?
My Bookforum review of Jaron Lanier’s “You Are Not A Gadget”
Molecular secrets of the “iron-plated snail”
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January 31, 2010 » 07:29 PM
V. A. To me death seems to be an evil.
M. What, to those who are already dead? or to those who must die?
A. To both.
M. It is a misery, then, because an evil?
A. Certainly.
M. Then those who have already died, and those who have still got to die, are both miserable?
A. So it appears to me.
M. Then all are miserable?
A. Every one.
January 24, 2010 » 03:22 PM
One of the more interesting trends is family, which came in at number five. Specifically, discussion about family, moms, dads, daughters, etc. jumped during 2009. With Facebook users getting older, this isn’t a big surprise. However, the fact that the mention of “kids” jumped by a factor of five this year is rather dramatic. It’s tough to know what this means, though. (via Facebook Unveils Most-Mentioned Topics of 2009
)
January 15, 2010 » 01:36 PM
BEYOND AWESOME. They are announcing a recall of the Plush Uterus “due to a potential choking hazard for children”. To apply for it, “Please send an email to the address below with the subject line, ‘UTERUS OPT OUT’”.
January 14, 2010 » 10:04 PM
“To order, please TYPE “YES” IN CHECKBOX BELOW TO AGREE YOU UNDERSTAND THIS PLUSH MUST BE KEPT AWAY FROM KIDS (it is a sex organ, after all). If it is not checked, WE WILL NOT SEND THE UTERUS.” (via @ibogost)
January 11, 2010 » 01:45 PM
I watched Space: 1999 back in the day, but I swear to god I do not remember this scene.
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