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Science: The t-shirt!
I love it: The experimental-music duo Matmos recently got their hands on a real-life Engima machine, recorded its typewriter-like clicking, and used it in a piece of music they’re about to release.
The Engima machine is, of course, the cryptographic system famously used by the Nazis, and equally as famously broken due to the work of mathematician genius Alan Turing. When I visited the U.K. three years ago I visited Bletchley Park — Britain’s WWII code-breaking headquarters — and got a chance to actually use an Engima machine with my own hands, which was, of course, awesomely fun. So I can attest that it makes some kinetically nifty clickety-click noises.
How precisely did Matmos get to record one? As they report in a Q&A in Seed magazine:
How did you get your hands on an Enigma machine?
Drew Daniel: Robert Osserman [of the Mathematical Sciences Research Institute] is the husband of my dissertation director. He put us in touch with this corporation called Cryptography Research. That place was insane. They had retinal scanners on the walls to go into certain rooms. It’s a serious cryptography Valhalla.
And you recorded from the Enigma?
Daniel: Yeah … There’s this mantra, “every noise has a note.” It’s basically true. Even the Enigma machine is in a particular key.
I’d love to hear the piece, but unfortunately the only available online clip currently seems to be unavailable. As I type this, though, I’m currently listening to some Matmos on Rhapsody (“Rag for William S. Burroughs”) and I have to say — even though I’m not much of a fan of experimental, real-world-sample-heavy music, it’s awfully good stuff! They really seem to listen carefully to their samples and arrange them in musically artful ways; yet it’s still oddly synchopated enough that when the nearby microwave in my office’s kitchen just went “beep”, I momentarily thought the noise was inside the song. I hope they release their new Turing song onto Rhapsody soon.
By the way, Matmos is apparently the name of the living liquid under the city of Sogo in the film Barbarella. Man alive these guys are nerds.
(Thanks to Sci Tech Daily for this one!)
I'm Clive Thompson, a writer on science, technology, and culture. This blog collects bits of offbeat research I'm running into, and musings thereon.
Currently, I'm a contributing writer for the New York Times Magazine and a columnist for Wired magazine. I also write for Fast Company and Wired magazine's web site, among other places. Email or AOL IM me (pomeranian99) to say hi or send in something strange!
The “Milky Way Transit Authority” map
Should automobile software be open-sourced?
My Bookforum review of Jaron Lanier’s “You Are Not A Gadget”
Molecular secrets of the “iron-plated snail”
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January 31, 2010 » 07:29 PM
V. A. To me death seems to be an evil.
M. What, to those who are already dead? or to those who must die?
A. To both.
M. It is a misery, then, because an evil?
A. Certainly.
M. Then those who have already died, and those who have still got to die, are both miserable?
A. So it appears to me.
M. Then all are miserable?
A. Every one.
January 24, 2010 » 03:22 PM
One of the more interesting trends is family, which came in at number five. Specifically, discussion about family, moms, dads, daughters, etc. jumped during 2009. With Facebook users getting older, this isn’t a big surprise. However, the fact that the mention of “kids” jumped by a factor of five this year is rather dramatic. It’s tough to know what this means, though. (via Facebook Unveils Most-Mentioned Topics of 2009
)
January 15, 2010 » 01:36 PM
BEYOND AWESOME. They are announcing a recall of the Plush Uterus “due to a potential choking hazard for children”. To apply for it, “Please send an email to the address below with the subject line, ‘UTERUS OPT OUT’”.
January 14, 2010 » 10:04 PM
“To order, please TYPE “YES” IN CHECKBOX BELOW TO AGREE YOU UNDERSTAND THIS PLUSH MUST BE KEPT AWAY FROM KIDS (it is a sex organ, after all). If it is not checked, WE WILL NOT SEND THE UTERUS.” (via @ibogost)
January 11, 2010 » 01:45 PM
I watched Space: 1999 back in the day, but I swear to god I do not remember this scene.
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