« PREVIOUS ENTRY
Left Behind, the video game: My review in Wired News
Does your language affect how you perceive the rhythms in music?
Possibly so, according to some incredibly cool new research. A group of scientists recently got interested in longstanding assumptions about how people sort sounds into groups. Traditionally, researchers would test people by playing them a bunch of musical sounds that alternated in loudness (such as loud-soft-loud-soft-loud-soft-etc.) or duration (such as long-short-long-short-long-short-etc.). Then they’d ask people to group the sounds: Where did a grouping of sounds begin and end?
Historically, people would say that a louder sound marked the beginning of a group, and a lengthened sound indicated the end of a group. This makes sense to me. Think about pop music: A verse or chorus in a pop song will often begin with a loud, accented syllable, and conclude with a drawn-out note. These findings were so regularlyconfirmed in lab experiments that eventually, they came to be regarded as “universal” laws of human perception — the acoustic lattices that organize the way we hear language and music.
Except for one thing: The studies were only conducted with Western people speaking Western languages. So this new group of scientists — who work in San Diego and Kyoto, Japan — wondered if the findings would still hold up with Eastern subjects. They decided to remount the experiment, comparing native speakers of Japanese with native speakers of American English.
Sure enough, differences emerged. While the Japanese speakers agreed that loud sounds marked the beginning of groups, they disagreed when it came to sound duration: They felt that a short sound was most likely to mark the end of a group.
This, the scientists theorize, may be because of how language trains our minds to perceive rhythm. In English, “function” words like “the” or “a” tend to come at the beginning of phrases and combine with longer, meaningful words like nouns or verbs. That means that linguistic chunks tend to start short and end long. But Japanese, as the researchers note in this press release, works differently:
Japanese, in contrast, places function words at the ends of phrases. Common function words in Japanese include “case markers,” or short sounds which can indicate whether a noun is a subject, direct object, indirect object, etc. For example, in the sentence “John-san-ga Mari-san-ni hon-wo agemashita,” (“John gave a book to Mari”) the suffixes “ga,” “ni” and “wo” are case markers indicating that John is the subject, Mari is the indirect object and “hon” (book) is the direct object. Placing function words at the ends of phrases creates frequent chunks that start with a long element and end with a short one, which is just the opposite of the rhythm of short phrases in English.
The scientists now think they could analyze the structure of a language and predict how its speakers would perceive rhythms in music.
I'm Clive Thompson, a writer on science, technology, and culture. This blog collects bits of offbeat research I'm running into, and musings thereon.
Currently, I'm a contributing writer for the New York Times Magazine and a columnist for Wired magazine. I also write for Fast Company and Wired magazine's web site, among other places. Email or AOL IM me (pomeranian99) to say hi or send in something strange!
The “Milky Way Transit Authority” map
Should automobile software be open-sourced?
My Bookforum review of Jaron Lanier’s “You Are Not A Gadget”
Molecular secrets of the “iron-plated snail”
» visit the Collision Detection archives
January 31, 2010 » 07:29 PM
V. A. To me death seems to be an evil.
M. What, to those who are already dead? or to those who must die?
A. To both.
M. It is a misery, then, because an evil?
A. Certainly.
M. Then those who have already died, and those who have still got to die, are both miserable?
A. So it appears to me.
M. Then all are miserable?
A. Every one.
January 24, 2010 » 03:22 PM
One of the more interesting trends is family, which came in at number five. Specifically, discussion about family, moms, dads, daughters, etc. jumped during 2009. With Facebook users getting older, this isn’t a big surprise. However, the fact that the mention of “kids” jumped by a factor of five this year is rather dramatic. It’s tough to know what this means, though. (via Facebook Unveils Most-Mentioned Topics of 2009
)
January 15, 2010 » 01:36 PM
BEYOND AWESOME. They are announcing a recall of the Plush Uterus “due to a potential choking hazard for children”. To apply for it, “Please send an email to the address below with the subject line, ‘UTERUS OPT OUT’”.
January 14, 2010 » 10:04 PM
“To order, please TYPE “YES” IN CHECKBOX BELOW TO AGREE YOU UNDERSTAND THIS PLUSH MUST BE KEPT AWAY FROM KIDS (it is a sex organ, after all). If it is not checked, WE WILL NOT SEND THE UTERUS.” (via @ibogost)
January 11, 2010 » 01:45 PM
I watched Space: 1999 back in the day, but I swear to god I do not remember this scene.
» see all of my photos on Flickr
ECHO
Erik Weissengruber
Vespaboy
Terri Senft
Tom Igoe
El Rey Del Art
Morgan Noel
Maura Johnston
Cori Eckert
Heather Gold
Andrew Hearst
Chris Allbritton
Bret Dawson
Michele Tepper
Sharyn November
Gail Jaitin
Barnaby Marshall
Frankly, I'd Rather Not
The Shifted Librarian
Ryan Bigge
Nick Denton
Howard Sherman's Nuggets
Serial Deviant
Ellen McDermott
Jeff Liu
Marc Kelsey
Chris Shieh
Iron Monkey
Diversions
Rob Toole
Donut Rock City
Ross Judson
Idle Words
J-Walk Blog
The Antic Muse
Tribblescape
Little Things
Jeff Heer
Abstract Dynamics
Snark Market
Plastic Bag
Sensory Impact
Incoming Signals
MemeFirst
MemoryCard
Majikthise
Ludonauts
Boing Boing
Slashdot
Atrios
Smart Mobs
Plastic
Ludology.org
The Feature
Gizmodo
game girl
Mindjack
Techdirt Wireless News
Corante Gaming blog
Corante Social Software blog
ECHO
SciTech Daily
Arts and Letters Daily
Textually.org
BlogPulse
Robots.net
Alan Reiter's Wireless Data Weblog
Brad DeLong
Viral Marketing Blog
Gameblogs
Slashdot Games