
I’m really not a morning person. But according to a new study, this tells you a lot about my personality: I’m more likely to be “creative”, “risk-taking”, “non-conformist” and “independent” than early risers.
This work came from the psychologist Juan Francisco Diaz-Morales, who recently decided to see if there were any regularities in the personality traits of early risers versus evening people. He took 360 undergraduates, ranked their relative sleep/wake habits, and then scaled them on the Millon Index of Personality Styles. According to the blog of the British Psychological Society, here’s what he found:
[Morning people] tend to be of a certain personality: they favour the tangible and concrete, they trust their experience and the observable over intuition and feelings; they have an attention to detail and a preference for logic. They are respectful of authority, care about social conventions and are rarely politically radical. [snip]
In contrast to morning types, evening people preferred the symbolic over the concrete, were creative and risk-taking, and tended to be non-conformist and independent.
Assuming this finding holds water, it’d have some pretty interesting implications for the workplace, eh? A smart company would organize its workday to optimize tasks based on which type of person is needed for the job — a logic-crunching task versus a blue-skying brainstorm — and when they’re likely to be at their best.
Indeed, I’ve long suspected that the 9 to 5 schedule is kind of suboptimal for productivity; it’s patently clear that different people shine at different times in the day. And you could argue that — for white-collar work, at least — the time-delimited bounds of the workday are more up for grabs now than they’ve ever been. Historically, one big reason we settled on the 9 to 5 timeslot is for purposes of industrial efficiency: We needed people to be at their desks for roughly the same time period so they could work together. But email, mobile phones, and digital documents obviate a lot of those old-skool practical considerations. A lot of the rationale for 9 to 5 worktimes is now practically a phantom-limb phenomenon in corporate culture.
(Alas, the full study is behind a paywall, so I couldn’t read it, but here’s the official link.)
I'm Clive Thompson, a writer on science, technology, and culture. This blog collects bits of offbeat research I'm running into, and musings thereon.
Currently, I'm a contributing writer for the New York Times Magazine and a columnist for Wired magazine. I also write for Fast Company and Wired magazine's web site, among other places. Email or AOL IM me (pomeranian99) to say hi or send in something strange!
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January 31, 2010 » 07:29 PM
V. A. To me death seems to be an evil.
M. What, to those who are already dead? or to those who must die?
A. To both.
M. It is a misery, then, because an evil?
A. Certainly.
M. Then those who have already died, and those who have still got to die, are both miserable?
A. So it appears to me.
M. Then all are miserable?
A. Every one.
January 24, 2010 » 03:22 PM
One of the more interesting trends is family, which came in at number five. Specifically, discussion about family, moms, dads, daughters, etc. jumped during 2009. With Facebook users getting older, this isn’t a big surprise. However, the fact that the mention of “kids” jumped by a factor of five this year is rather dramatic. It’s tough to know what this means, though. (via Facebook Unveils Most-Mentioned Topics of 2009
)
January 15, 2010 » 01:36 PM
BEYOND AWESOME. They are announcing a recall of the Plush Uterus “due to a potential choking hazard for children”. To apply for it, “Please send an email to the address below with the subject line, ‘UTERUS OPT OUT’”.
January 14, 2010 » 10:04 PM
“To order, please TYPE “YES” IN CHECKBOX BELOW TO AGREE YOU UNDERSTAND THIS PLUSH MUST BE KEPT AWAY FROM KIDS (it is a sex organ, after all). If it is not checked, WE WILL NOT SEND THE UTERUS.” (via @ibogost)
January 11, 2010 » 01:45 PM
I watched Space: 1999 back in the day, but I swear to god I do not remember this scene.
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