Stigma of the home office vanishing

Do you work from home? When you answer the phone, do you try to pretend you’re at an “office” — or do you let your colleagues know where you are? Marci Alboher wrote an interesting trend story in today’s New York Times claiming that work-from-home entrepreneurs are increasingly candid about the fact that they work from home. If noise leaks in from the dog or kids in the background, it’s not longer a big deal, according to the enterpreneurs that Alboher interviews, as well as this pundit:

“It is no longer a faux pas to have a life at the other end of the telephone line.” Ms. Jackson said. “It can make you feel like you’re dealing with a holistic person. And it is just another sign that we are moving away from the industrial age in that we no longer have two totally separate spheres called work and home.”

This trend is certainly true for me. When I first started working from home in 1994, I’d go to considerable pains to disguise the fact that I was working from my crummy bedroom, because a lot of interviewees were uncomfortable with it. It didn’t seem professional to them; they expected reporters to be working in some 1940s-style office tower that looked like The Daily Planet or something. But in the last few years, this bias has dropped entirely. Nobody could really care less where I am, so long as I’m on the phone.

The article offers a few reasons explaining this shift, but neglects one that I think is the most powerful: The mobile phone.

In the last five years, mobile phones have transformed the acoustic and geographic environments in which people conduct business. They, almost more than the Internet, decoupled the relationship between “work” and an “office.” These days, my interviewees are half the time talking to me while they walk down the street or hang out in hotel conference hallways or ride in their diamond/titanium UFOs to their secret Arctic lairs — so why would they care, or even notice, that I’m not working from an office too?

(The picture above is from the article — the home-office of some Brooklyn dance company.)


blog comments powered by Disqus

Search This Site


Bio:

I'm Clive Thompson, a writer on science, technology, and culture. This blog collects bits of offbeat research I'm running into, and musings thereon.

Currently, I'm a contributing writer for the New York Times Magazine and a columnist for Wired magazine. I also write for Fast Company and Wired magazine's web site, among other places. Email or AOL IM me (pomeranian99) to say hi or send in something strange!

More of Me

Twitter
Tumblr
Flickr


Recent Entries

Teleportation, the last battle, and the Creator talks: How the world ends inside an online game

My latest Wired magazine column: Troll taming at Whitehouse.gov

Apparently NASA is filled with Joss Whedon fans

Incredibly weird, inch-wide single-celled creatures discovered rolling across the sea floor

In praise of the 3-hour game: My latest Wired News video-game column

» visit the Collision Detection archives

Clive Thompson's Tumblr
a bunch of stuff

March 25, 2009 » 05:10 PM
I had to ask! I was investigating getting DirecTV for my new office when I saw this pop-up window …

March 22, 2009 » 08:54 PM
““From an acoustical perspective, music is an overstructured language, which the brain invented and which the brain loves to hear.”” - Basics - In One Ear and Out the Other - NYTimes.com

March 20, 2009 » 04:48 PM
“No wonder young people find mainstream journalism uninviting; it would almost be more frightening if they embraced what passes for news today.” - The Death and Life of Great American Newspapers (Page 2)

March 19, 2009 » 01:12 PM
Printing The NYT Costs Twice As Much As Sending Every Subscriber A Free Kindle

March 18, 2009 » 08:44 PM
“Growth for the sake of growth is the ideology of the cancer cell.” — Edward Abbey” - Via Thor Muller’s twitter stream.

» visit my Tumblr

Recent Comments

Photos

» see all of my photos on Flickr

Collision Detection: A Blog by Clive Thompson